An avid collector of stained glass and timepieces outside of his career as a real estate investor, Cameel Halim unveiled his art collection to the public at the opening of the Halim Time and Glass Museum on September 26, 2017. Cameel Halim’s museum, which is located in Evanston, Illinois, has been profiled in New York Times articles in both 2016 and 2017.
The first article, published on July 7, 2016, focused on several of the stained-glass windows that were set to be displayed at the then yet-to-be-opened museum. The article specifically discussed the process of rescuing and restoring these windows, some of which were so dirty that they were completely obscured. Among the rescued pieces that now belong to the museum are those by John La Farge and George Washington Maher, as well as frequently overlooked designers such as Mary Tillinghast and Frederick Wilson.
In 2017, days after the museum opened, The New York Times published a second article. Titled A Collector’s Dream: Creating Your Own Museum as a Legacy, the article details the motivation for opening a private institution such as the Halim Time and Glass Museum. According to the newspaper, the inspiration for the Evanston museum was to provide a way to display a collection of art that took its founder three decades to develop. By sharing with the public the hundreds of pieces in this collection, Halim and the museum aim to provide a comprehensive overview of three centuries of timepieces and stained glass.